Tag Archives: Writing

Print Lives: Help us relaunch Hip Mama, a feminist parenting magazine!

Before I met her (and Jen!) at a writing workshop, I was a fan of Ariel Gore. When I was pregnant, I bought copies of Hip Mama at the checkout of our local co-op, usually with Brain, Child or Mothering or Bust. I read her edited story collection, Breeder, which taught me more than I wanted to know about pin worms and made me think that maybe it was possible to be unconventional and a good parent. I loved — love — the idea of having baskets of old magazines lying around so the girls can find them, read them, and learn ideas that I think are pretty great without it being all “HERE IS WHAT I, YOUR MOM, THINK ABOUT LIFE, SEX, MOTHERING, and BODIES.” My Mom’s old copies of Our Bodies, Ourselves and other hippie women’s health books totally informed me in a powerful way. I was saddened when Mothering went all-digital because I wouldn’t have those circulating in our house, sparking conversations, being stashed away in beds, adding to the print culture of our little domestic lovenest.

I’m a huge digital fan. I love blogs. I love chatting. I love drawing on my iPad. But print matters. Print is soft and beautiful and you can hide it. You can pass it around. You can dogear and write on it. I need print in my house. Print lives.

image-256955-fullAriel is relaunching Hip Mama as an awesome, wonderful, open-hearted, feminist parenting magazine. She’s broadening its original audience and mission to include rad dads, and generally expanding its awesomeness in every way. Check out this mission statement:

We’ve regrouped to establish a sustainable plan to move forward and to bloom. IN PRINT. Teen Mom NYC blogger Gloria Malone, political editor Victoria Law, and Rad Dad Tomas Moniz are just a few of the visionaries on board to relaunch Hip Mama.

In the first four issues of the new Hip Mama, we’ll bring you expanded lifestyle coverage including…

• Creativity Bootcamp: Songwriter Amani Malaika on Getting Back Into Your Creative Groove

• Airstreams, Sailboats, and Tiny Houses: Living Small with a Family

• Not Now, I’m Working on My Children’s Book: New Yorker Cartoonist Shannon Wheeler Teaches You to Draw Even With Kids Crawling Across the Table (Hint: It involves a lot of coffee)

• Sushi for Superheroes: New Study Shows that Wearing Costumes in the Kitchen Makes for Better Dinners!

• School Lunch Revolutions–Organics Aren’t Just for Rich Kids Anymore

• A Queer Argument Against Gay Marriage

• Radical Cupcakes with Inga Muscio*

• Concrete Ways to Help Families in Social Justice Movements

• Nomadic Teen Moms With Superpowers

• And in every issue, AT LEAST ONE PIE.

Ariel has a modest Kickstarter campaign that’s nearly fully funded, and for a mere $20 you can sub to the first year of the new magazine. There’s also a wonderful video with a lot of the featured writers, including my friend/doula/colleague Shell speaking from her hot tub. That’s 4 beautiful mags full of life’s promise to put in a slouchy wicker basket next to the easy chair for my eight year old to read in about 3 years’ time. If you worked an extra shift or just love getting magazines in the mail, you should kick some cash her way. They have an option to donate even $1, and you get stickers!!! COME ON!

 

* Jen and I are taking Inga Muscio’s online writing course this summer as well. There are some seats left. Sign up! It’s an online class about writing through tough times.

The 10,000 Hours Rule (Creativity Tuesday)

Confession: I’m slacking on my drawing. This means Creativity Tuesday is a lot less pretty than it used to be. The two creative pursuits I’m spending the most time on lately do not translate well to the computer screen: writing (dribs and drabs, and now my laptop is messed up so !!!!) and singing (the girls and I joined a secular, intergenerational folk choir).

I think I’m gravitating to these outlets because they’re so comfortable for me, even though they don’t challenge me in the ways that drawing does. I’ve been in vocal music for most of my life, and I’ve been writing (whether journal, academic, or creative) just as long. We harsh on the Tiger Mother philosophy but she does have a point about enjoying creative pursuits: it really is more fun when you’re actually good at them. Learning is hard, practice is tough; but once you get some mastery down, you can experience creative flow that’s profoundly rewarding. Also, you get good faster when you’re picking something back up, rather than trying for the first time.

As has been well-documented, I like instant gratification a lot. And as has also been documented, I just don’t have a lot of time to dick around, and I am craving creative outlet, and I can write so much more in an hour than I can draw. I can sing so much in my car, and get good (again) so much faster. I was singing in the car on the drive home after seeing Mike Daisey’s transcendant “American Utopias” performance, and I felt myself move to the next level of singing ability: high notes were suddenly easier to reach, my lung capacity has grown just a little, my voice is more nimble over notes than it was a month ago. I love that.

I’m pretty sure that singing and writing are the only things in my life that qualify for the 10,000 hours rule.

So that’s what I’ve been doing. I guess I feel like these pursuits have a better chance of going somewhere, of having something new emerge from them, than do creative things that are fresh and new. I still doodle with the girls. I’m still practicing my lettering here and there. But mostly I’m trying to get a book draft going. And learning harmonies to “Seven Bridges Road.”

Writing and Self-Care: Making Time for the Impossible & The Necessary

I had a bit of a breakdown last week and spent part of Valentine’s Day googling divorce and sympathizing too much with Susan Rawlings in “To Room 19.” Lately I’ve felt squeezed out of my own life: most of my day is spent helping eighteen year olds manage their lives, and the rest of the day is spent helping preschoolers manage their lives (and bodily functions!), and the end of the day is the time that saves our marriage, when we either join on a bed or join on the couch for taco dip and Top Gear.

Fortunately, Brian has known me for a long time so when I grimaced at his suggestion of “together time” on V-Day, he immediately took my laptop upstairs, brought in a cooler of Caffeine-free Diet Coke, and put the box of chocolates on my milk crate-cum-side table. After the girls went to bed, I got in my own bed and spent an hour writing. I didn’t necessarily accomplish much, but I accomplished something. I’ve had 2 more writing evenings and it’s been incredibly rejuvenating. So I won’t be going through on that divorce (or putting my head in an oven).

Sweet Dreams – Dulces Sueños, Room – Habitación de Hotel, Salamanca, HDR Marc via Compfight MY ROOM DOES NOT LOOK LIKE THIS!

Writing is a part of my self-care, and self-care is a thing I’ve been neglecting for give or take five years exactly (since my oldest daughter turns 5 this weekend — FIVE!). As a mother, often as a spouse, as a person who owns a house and has a job, I’ve replaced meeting my needs with meeting the needs of others. On a given day, my kids come first, my family comes first, writing up notes comes before eating lunch, going to work takes precedent over a resting up day for a lingering cold. And it has worn me down. It is what it is, but it can’t go on. On days when I feel particularly written out of existence, which happens only with my permission (I must remind myself), I’m so angry. I’m so mad at my kids for not considering the fact that I want privacy when I poop. I’m so frustrated that my husband has to unload on me after a hard day at work. Why aren’t they thinking of me? Why haven’t they considered what I want?

On my bad day last week, I read an article about living with a miserable person and it struck a little too close to home:

Living or working with a miserable person is a life draining experience.  No matter how much you give, it is never enough.  The more you do  for the miserable person, the less it seems to make a difference.  Appreciation, if it exists, is very short lived.  The miserable person is a bottomless pit sucking your time, money, and energy until you have nothing to give.  You will probably find yourself dreading time with him or her.  Miserable people are entitled.  They tend to believe that they deserve being made happy.  When people talk of deserving things, watch out.  You may be in the presence of a miserable person. 

Ouch. It rather makes sense, though, that my kids have not learned to consider my needs because (other than the fact that, developmentally, it’s a little beyond them) I’ve never, ever taught them. I’ve rarely taken time for myself. I rarely ask for what I need, instead yelling when they fail to mindread and interrupt me in a moment that I have internally considered sacred blogging time or sacred laundry folding time, but they have been conditioned to expect to me snack time or play after dinner time. In “I Think I Know Why You’re Yelling,” Janet Lansbury explicitly links self-care with parental anger:

Parenting fact: Our babies and toddlers will never give us permission to take care of our needs. “Go ahead and take a little break, mom, you deserve it!” will never be said or implied through our young children’s behavior, even on Mother’s Day. Quite the opposite, in fact. These boundaries must come from us, and our children will do their job by objecting, rebelling, making demands and more demands, and continuing to feel around for our limits until they are firmly and consistently in place.

If self-care is good for me, it’s good for my family. And if writing is part of my self-care, I’d better make time for it. I deplore slow progress but maybe it will get faster. Or maybe not. But I have to, have to, have to start taking time for myself because otherwise I will go nuts. I will never be happy, no matter how bountifully the Lexapro may flow, no matter how much sleep I eventually get, no matter how many bake sales I run or committees I join. I’m thinking about this because Jen and I have been emailing back and forth about our sort of self-destructive tendency to overcommit — picking up sections or taking on responsibilities or chairing boards or whatever — and I’ve been thinking about how we end up achieving the opposite of what we hoped by volunteering (or at least I do — I can’t/won’t speak for Jen). I volunteer at my kids’ daycare because I feel guilty that they spend so much time there, but then I end up crabby and frenetic that day because I had to use vacation time for it. I sign someone up for spring soccer and then resent how it takes over my weekend. That’s dumb. I’m being dumb. (Well. We probably will do spring soccer. But maybe not the dance lessons that feel vital to me, but ultimately might not happen. I can’t feel guilty for everything, right?)

So. Me time. Writing time. Boundaries. And progress.

Things I’m Afraid of When I Write

  • That my thoughts are too fast to ever get them all down.
  • That I will tell instead of show.
  • That I won’t be able to shut off my inner critic and allow my drafts to be drafty.
  • That I won’t come back and revise.
  • That I’ll lose steam.
  • That I’ll accidentally use up all my good ideas in one book.
  • That my short story is actually a novel and I’m not thinking about it correctly.
  • That my novel is actually two novels and it’s too disjointed.
  • That my memoir is too fictional.
  • And vice versa.
  • Someone will hate it.
  • It will be boring.
  • I won’t finish.
  • It might be really good.

Writing Again (Creativity Tuesday)

Messy, veryfirst draft!

Messy, veryfirst draft!

About a year ago I had a computer snafu that resulted in a loss of all the creative work I’d done over the course of 3 months. It wasn’t a lot, but it was enough to make me feel totally deflated and step away from anything beyond blogging. I have a really hard time writing creatively, having spent a lifetime in school with people who essentially want to be professional critics (myself included). It’s simultaneously my highest aspiration and deepest anxiety to share my creative work.

At the same time, I’ve hit my grad school quitta-versary and in thinking back over the landscape of this year, the changes, letting go of some goals and picking up others, the thing I keep coming back to is writing, writing, writing. I was never gung ho on the whole dissertation or research thing. It was never a fantasy of mine to read a chapter to an empty room at a national conference. But if I die without being published, that will be a huge regret. Hell, if I hit 40 and haven’t been published, then I’m going to be asking what the fuck I’ve been doing with myself. That means making some time for this, somewhere. And instead of worrying about what grad students might think about it, I keep asking myself if Jen will like it. If Jen likes it, I know I’ve got something. (Jen, and Shell. And Bina. And Heather and Emily. OK, all my cool and bighearted lady/mama writer friends.)

I’ve never been a longhand writer, but I’m trying it out because I spend so much time at my computer, both for work and for the blog. It’s been difficult for me to get into a creative writing headspace with tabs open to my work email and my blog stats (and Jon Stewart video clips, and cute pics of cats, and and and). So I’m trying this out because Ariel Gore says it will work and it’s one thing I haven’t yet tried. I wrote three pages today during my “walk in” hours, scattered scenes for what might be a short story. My thinking is that I want to get some ideas going so that when I go visit my sister in about 6 weeks after SHE HAS HER BABY SQUEEEE that I can bring my notebooks and a few good pens and no computer or iPad and (when not snuggling a baby, folding laundry, or cooking dinner) I can just write.

We’ll see how that goes. The bottom line is, though, IDEAS.

WRITING THEM.

ON PAPER.

Why I Blog, and Why More People Should Read Mama Nervosa

[Technically, Mama Nervosa celebrates a year of existence next month.]

A year ago I quit grad school, I quit drinking, and I started writing. I took a writing class and met Jen and said “you should blog with me” before I even knew her last name. I had no grand vision for this blog beyond having something written that was public. And writing about exactly what I wanted to write about, all the time, no exceptions. The opposite of grad school: my voice, topic choice, and a broad audience! Unfortunately, writing about whatever, whenever flies in the face of all conventional advice about how to cultivate a following for your blog. If we’d been really smart (or organized) we’d have been a Mommy blog. Or a lifestyle blog. Or a music blog. Or a quitta blog. And made our URL something like momswhoquitgradschoolandmarriedguyswithbeards.com

Photos count for NaBloPoMo, right?

JEN!

victoryrolls

ME!

That would have been wise, prudent, and potentially profitable! It just doesn’t seem to be how we roll around here. I’ve had blogger’s block lately. It’s not that I don’t have ideas — I have scads of them. I love writing about starting new projects, crazy changes on the homefront, music, video games, my past, and my future. I just keep getting bogged down in worries that it won’t make sense. That it’s too disjointed and random: the reader who found us because she likes reading our feminist take on kid’s shows might bail if I focus too much on work stuff. But my post-ac readers might be all YAWN when I start talking about weaning my daughters. About 50% of our traffic comes from random Google searches, and that doesn’t make or sustain a real audience. We’re not doing it right.

And I really want an audience! I’ve wanted an audience since I was a kid! I swear, if I could have been a blogger at age 7, I totally would have. I’ve always wanted to share my life. I remember when I discovered online journaling and was like OMG YES I WILL SHARE MY DIARY WITH STRANGERS! SIGN ME UP! I was born to blog. I have a deep confessional streak. I want people to read my stuff. So I would like to have a bigger audience.

But I can’t seem to break down my life into component parts to make that happen. My head says that we should streamline: theme it up, get some custom fucking graphics, have features and topics and some sense of coherence for goodness’ sake!! Then my heart says it wouldn’t be the whole story. Once I start thinking about things to leave out, it stops feeling like my (our) story, and it starts feeling like homework. I have thoughts, people! Insightful ones! Don’t preach to me about SEO!

I poked around for someone else to have encapsulated what it means to Be A Blogger in a way that resonates with me. I found a lot of “inspiration” and “chronicle my journey from x to y” and “Jesus” and “crafts” and “help people,” but this post at New York Cliche comes closest to how I feel:

I am aware that sometimes I walk on thin ice. I click the “Publish” button on my side bar, knowing full well I’m playing with fire. These texts are in my message history, “I wrote about you in my blog. Let me know if you hate it.” I look at the collection of stories I’ve told here, the comments I’ve received, the depth of my writing, how my style has evolved over the years, and I am proud… Why doesn’t the world know I wrote this? It’s good! Look at me, I’m clever! At the core… is the desire to write, not the desire to be read; no doubt this is obvious. I spend hours crafting each entry. I do it for myself, yes, but I send it out into the world hoping others get something out of my writing. I’m an artist by profession. I want to make my audience (that’s you!) think, I want to push the envelope. Affecting people is my passion. Even if the effect is discomfort…

Am I an artist? A writer? Those seem like such loaded words. I avoid saying them. They’re not even in my “about” page. I feel comfortable saying I’m a teacher because I’ve been paid to be a teacher. I even feel ok saying I’m an academic even though my qualifications are questionable! But WRITER sounds IMPORTANT and I don’t need another case of imposter syndrome after 8 years in grad school.

What is this weird genre of the blog? Why do I like it so much? Why am I here? Why so many words in all caps? Why did Jen get on this crazy train with me? What’s the point, if not sharing parenting tips, or making money or, I guess, working on a book deal? (I’m not ruling that out.) My big mouth + the internet has definitely = conflict in my life, but I keep being pulled back to this space and yapping about stuff I should keep private so everyone can see, including my Dad (maybe someday), my friends, my enemies, and my ex-boyfriends (all 3 of you!). Andrew Sullivan writes about exposed and vulnerable nature of blogging in this piece at The Atlantic:

No columnist or reporter or novelist will have his minute shifts or constant small contradictions exposed as mercilessly as a blogger’s are. A columnist can ignore or duck a subject less noticeably than a blogger committing thoughts to pixels several times a day. A reporter can wait—must wait—until every source has confirmed. A novelist can spend months or years before committing words to the world. For bloggers, the deadline is always now. Blogging is therefore to writing what extreme sports are to athletics: more free-form, more accident-prone, less formal, more alive. It is, in many ways, writing out loud.

Sullivan says that a blogger is less a Writer and more a conversation starter or dinner host:

The role of a blogger is not to defend against this but to embrace it. He is similar in this way to the host of a dinner party. He can provoke discussion or take a position, even passionately, but he also must create an atmosphere in which others want to participate. That atmosphere will inevitably be formed by the blogger’s personality. The blogosphere may, in fact, be the least veiled of any forum in which a writer dares to express himself. You can’t have blogger’s block. You have to express yourself now, while your emotions roil, while your temper flares, while your humor lasts. You can try to hide yourself from real scrutiny, and the exposure it demands, but it’s hard. And that’s what makes blogging as a form stand out: it is rich in personality. What endures is a human brand… It stems, I think, from the conversational style that blogging rewards. What you want in a conversationalist is as much character as authority. And if you think of blogging as more like talk radio or cable news than opinion magazines or daily newspapers, then this personalized emphasis is less surprising. People have a voice for radio and a face for television. For blogging, they have a sensibility.

I totally agree. I love our blog because it is full of personality, and I think we have a harmonious, honest, funny “sensibility.” Which makes me feel a little like this:

I just keep thinking, reader-friends, that Jen and I are neat and interesting people. I think our lives are only going to get more interesting. We have cool stories to tell you. We are funny and we have killer taste in music. We’re irreverent and nice and insightful. We are full of awesome. I think you should read us for those reasons, even if you aren’t a Mom, or a gardener, or an ex-academic, or a straight able-bodied cis-gendered white woman in her 30s, or broke, or a coffee drinker. I think more people should read us. We’re at least as interesting as this guy if not, ya know, exponentially better in every way. It’s going somewhere, we just don’t know where, but that’s not really the point of a blog: the ride is the point! I feel like if we start censoring the blog, leaving stuff out, focusing on “content” and “optimization,” then we might miss out on something in ourselves.  You’ll just have to trust us on this: something awesome will come from Mama Nervosa. Enjoy the ride. And tell your friends about us.

One Year Ago, I Quit Grad School

A year ago today I had The Talk with my advisor and walked away from graduate school. It was a terrifying and relieving experience, and I haven’t regretted it for a day. I never would have guessed that a year later I’d have a job, a blog, and a love for french braiding. This journey has been amazing.

end of the dayCreative Commons License paul (dex) bica via Compfight

Quitting grad school is just like this, every day. Except on days when it’s -10 degress in Iowa. Which is most days, lately.

I and a couple other post-academic grad school quittas are setting up a fabulous, free, catch-all website for people quitting grad school or leaving academia, and we need your help. If you quit grad school — if you’re here because you’re thinking about quitting grad school – please contribute to the site or the book. It’s the nicest, easiest, non-academic-iest writing you’ll do and you will help out so many people dying to hear stories from others who’ve walked this road. Head on over and consider sending me a short idea for an essay (as long or as short as you like!) for the site or e-book. We’re hoping to have all of the submissions gathered by Feb. 1st, so get on that already!

Bread Crumbs: Thinking about the one year anniversary of Mama Nervosa

When Lauren and I met a year ago, we had a couple obvious things in common: we are both grad school quittas, raising young daughters who are close in age. We are feminists who love pop culture.

The more we talked, the more connections bubbled up: We are writers who didn’t have writing as a primary part of our identity or daily life. We have had intense relationships with music, fan communities, and hippie boys. We love reading and teaching young adult novels.

Mama Nervosa was founded when Lauren and I were saying goodbye, standing across a kitchen counter from one another: we should blog together, Lauren said, completely casually, as if this were not the most awesome, amazing, generous offer anyone could have made to me at that moment. Seriously, she could have handed me $100 and it would have been less awesome than an invitation to blog together.

Over the course of the past year blogging together, we have had several conversations about what exactly Mama Nervosa is: Are we a mommy blog? A feminist blog? A post ac or alt ac blog? Are we writers? But we can never seem to narrow it down to a single category or check box: we are messy, overlapping, we don’t fit.

Mama Nervosa is motherhood and memoir, quitta and adjunct and post ac, feminist and funny. We are not a reliable product: we have no posting schedule, no length requirements, we begin regular features and wander away from them.

If we have a narrative throughline, a recurring theme that links our posts on topics as varied as loving Neil Young, growing up in Tulsa, quitting grad school, teaching Adrienne Rich, missing the ice cream truck, and falling in love, it’s our willingness to expose the process. If Mama Nervosa has a core belief it’s this: if there is grace to be found in this world, we are more likely to stumble into it along the way than to see it shining brightly ahead of us at some mythical finish line. I’m writing it down as I go, trailing blog posts and cheerios behind me, grateful to be here now, even if I’m not sure where I’m going.

self portrait

Self portrait: blogger smooching baby. I looked for a picture of M and I around the time of the workshop last winter, and found nothing. Resolved: more self portraits in the new year.

A Brief History of the Modern Post-Ac (or Reform or Alt-Ac) Movement

Hello, hello! I hope you had wonderful holidays. I completely and utterly enjoyed my first post-academic Christmas, the first time in my life I did not have stacks of papers to either write or grade while also doing the shopping and card-sending. It was blissful and rejuvenating.

dr

I’m back in the office the day after Christmas — so this is also the first Christmas in my life where I had responsibilities that instantly resumed at the close of holidays! But I’m not complaining: there are only 6 other people in my office, and once I answered a few student emails, I have been able to do whatever I want, which has included teaching my office neighbors to crochet, watering other people’s plants and hermit crabs, and working on our post-academic project.

(Please consider contributing!)

So I’ve been reading through archives of other post-ac blogs — mostly defunct ones — mining them for the best content so we can try and include all relevant info and not have to reinvent the wheel when we set up the website. We’re curates in a number of ways, and it’s occurred to me more than once that this feels like an historical project (in that we’re assembling a bit of history and crafting a narrative, not that we’re making history). I’m reminded of a few archival projects I did as a grad student in American Studies — one on the Hoover Presidential Library, and one on the KMA Kitchen Homemaker Radio Show — in that I’m gathering, gathering, gathering info from archives with no organization beyond chronology and at some point patterns start to emerge and the story matures in a way that’s meaningful and more importantly, writeable! (Except this time, I’m doing it for fun, with friends, and no deadline, and more than 1 person will read it).

I’ve been putting together a timeline that I think traces the roots and chronology of the modern “post-academic movement.” This is a placeholder/umbrella term I’m using to indicate the counter-academic movement within and without institutions broadly: critiques of academia from within (institutional critiques, etc), including concerns about labor structure, grad student exploitation/experience/professionalization, and the contingent faculty movements that have sprung up; and the proliferation of post-academic, ex-academic, and anti-academic blogs and advice books outside the academy. Not that these are equivalent in terms of impact, but more that they’re concurrent. I’m connecting dots here. This is a draft, it’s totally incomplete, and reflects my own background in composition theory and American Studies. Please, suggest additions, ask questions, question the premise, etc.

 

1967:

  • Doctor of Arts programs established — programs briefly flourish, then precipitously fade in the early 90s (seems related because it is a reformed doctoral degree focusing on teaching and application of research).

1960s-90s

  • Process theory gains momentum in composition classrooms. This is significant, IMO, in that it generates some serious cognitive dissonance in the academy, and those effects are borne out through the practices of graduate students.
  • Foucault. Come on.

1987

  • The Wyoming Conference Resolution opposing unfair employment/pay practices for post-secondary English teachers (that is, comp instructors and TAs).

1993

  • Susan Miller writes Textual Carnivals: The Politics of Composition, which is significant IMO because it (a) uses cultural studies to study the institution itself (b) furthers a conversation about hierarchies and exploitation within institutions and departments and (c) talks about how grad students/teachers are complicit in their own exploitation. (There are many other important publications like this. This is the one I could remember off the top of my head.)

1993-2003

1997

1999

  • Paula Chambers founds the WRK4US listserv, which served humanities and social science graduate students in career changes. (See 2010 below.)
  • RateMyProfessor.com founded

2000

  • Re-envisioning the PhD project founded with goals of improving transparency, suggesting reform, and revamping doctoral education in the US.
  • The Responsive PhD project founded to enhance transparency, improve public engagement, and promote diversity in doctoral education. Concluded 2006 with “goals achieved.”

2000s

  • Composition starts to come into its own right as a discipline by becoming everything it hates (ok, that’s an exaggeration). But still, comp starts to feel its own cognitive dissonance as it gains institutional prestige and all the markings of legitimacy (departments! offices! tenure lines! a zillion conferences and journals with parentheses and slashes in the titles!) but continues to focus on vexing issues of racism, sexism, class, oppression, and exploitation in institutionalized practices and hidden pedagogy.

2001

2003

2004

2005

2009

2010

2011

2012

This post also appears at HowToLeaveAcademia.com

My Favorite Posts by Jen (so far)

We’re getting some wonderful new readers thanks to Jen’s participation in NaBloPoMo. I know you are all reading her daily posts this month, but have you dipped into Jen’s archive? She’s written some beautiful and funny posts in the 9 months we’ve been in the world. Here are a few of my favorite posts by my blogging BFF.

1950s - Painted Ladies - Best Friends Forever clotho98 via Compfight

Learning to Stake a Claim

“They will never have to cross an ocean and an unfamiliar country to homestead, bring in the laundry off the line, send their daughters out to clean and cook in other people’s houses, pray for the winter to end, watch for the snowdrops to push tender green shoots up through rich earth just beginning to thaw. Still, they practice writing their names in pink crayon, purple marker, tongue sticking out just a little bit as they focus on making the lines and loops just so. Learning to take credit, take blame, stake a claim.”

This Blog Has Been Created Entirely By Grad School Quittas

“I struggled to write in a voice that was appropriately, academically obscure. I got feedback like, ‘This reads like it should be published in a popular magazine.’ In grad school, THAT IS NOT A COMPLIMENT.”

You Breathe Differently Down Here

“And if there is a line that connects those first feminist awakenings in dorm rooms and classrooms, to the theory I parsed first with difficulty then with ease in grad school, to my teaching, to my mothering, Rich and the hermit articulate it better than I ever could. Love should be put into action.”

Can Someone Refill My Magic Please?

“Partly this is because they are too little to have much independence: someone has to make (and clean up) the meals and the snacks, turn on another episode of Dora, get the crayons off the counter, find the stickers, remind them not to run willy nilly in the parking lot, snap the princess dress up dress in the back, tie the ribbon leash on the stuffed giraffe, resolve the dispute over the iguana puppet. I have heard parents say that you shouldn’t get involved, that they need to practice solving their own problems and that conflict will bubble up and blow over whether or not you intervene. Apparently those people’s children are destined to be brokering Mid-East peace treaties while mine are ruling tiny nations as benevolent dictators. My girls fight hard, and they don’t back down.” Continue reading